TYPE01

Alen Kapetanovic of Silverstag Type Foundry spent five years studying civil engineering before drawing a single letter, and this can be felt in his type catalogue: strict proportions, with serifs engineered to hold their shape from hairline to black.

Commercial type is undergoing a quiet renaissance.

Custom font production for brands is undergoing a quiet shift where the days of buying a generic off-the-shelf font are disappearing.

You might remember learning phonics as a child: linking letters to sounds.

For many designers, procrastination hinders creativity.

Since its launch in 1999, Typotheque has defined itself by a continued commitment to language, designing for world scripts, from the dominant writing systems of Latin, Chinese, and Arabic to the lesser-known – such as Canadian Syllabics, Cherokee, and Ol…

When society, markets, and culture zigzag at unprecedented speed, how does design keep up?

In recent years, conversations around type design have intensified— geographically, culturally, and conceptually.

The way brands access type is changing.

CoType has evolved its neo-grotesque workhorse with Aeonik Soft, featuring subtly curved corners that bring warmth, playfulness, and impressive versatility.

When The One Club for Creativity approached Khyati Trehan to design the visual identity for ADC Young Guns 23, it marked a full-circle moment.

Michele Merlo’s work sits at the point where process and obsession quietly overlap.

Following its success in the English-speaking design market, Blaze Type’s book, ‘How to Design Fonts?’

The visual identity for La Vida Era Más Corta emerged from a close reading of the album’s emotional landscape — its reflections on time, memory, and the fragile awareness of the present.