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The Artemis II crew returned to Earth on my birthday this year.

Heads up: This post contains 13 interactive 3D scenes that load as you scroll (~10MB each), so if you're on mobile data or a slow connection, you may want to save this read for later.

Back in summer, I was helping my fiance with a small WebXR project.

I play a lot of Magic: The Gathering, and sometimes I attempt to deckbuild.

RSS lets you receive many articles from writers in an app of your choice.

"Geography has made us neighbors.

Today I've released my simple iOS app for blocking files in Safari.

The paperclip problem theorises how AI wouldn’t know how to stop given the task of producing paperclips and essentially end up destroying our world to achieve its goals.

The past year I've been focusing on taking control of as much of my digital habits as possible.

A few days ago OpenAI announced, what I find, a quite shocking and troubling collaboration with a weapons manufacturing company.

A few years ago, in August 2021, I was interviewed by the Danish public service broadcaster, DR, about my work as a Creative Technologist.

Very often I want to test small things like shaders, etc.

After the US election result there has been a lot of talk about how Europe can grow more independent from the US.

Disclaimer: This entry is not a complete tutorial.

For an Apple Vision pro project I'm working on in SwiftUI / RealityKit, I was in need of more easing functions than the build in ones that AnimationTimingFunction come with (.linear, .easeIn, .easeOut, .easeInOut).

One of the most striking design principles of the Apple Vision Pro is its absence of "stuff attached to your hands".

I’ve been working on an Apple Vision Pro application for a while and I’m completely blown away by the experience!

Yesterday, I had the privilege of attending the opening ceremony for the new DMJX campus in Copenhagen.

I've been playing around with cables.gl.

I’m honestly surprised!

The thing that really stands out and gives me pause with the new Apple Vision Pro device, is just how bound to a person it is.

I'm finally taking time to fully in-depth read what I believe will be an epoch-defining book!

As Gaussian Splatting is blasting forward in public awareness, one thing I've been asked frequently in my master classes has been: "How do I separate and animate individual objects in a Gaussian Splatting (or NeRF) scene?"

I've spent a substantial amount of time researching and working with GPT-4 and other AI tools.

I've been raving about how Neural Radiance Fields (NeRF) are better than using polygons and photogrammetry for capturing the essence of the world.

I’ve lately been exploring a new kind of 3D capture technique.

I haven’t really thought this post through, but somehow I’d feel a bit empty if I didn’t try and put down some words to acknowledge the journey.