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I spend a lot of time on Bluesky, for which reason my soul will surely meet oblivion in the jaws of Ammit; but while I'm there I see a lot of AI boosterism.
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in this age of resurrected AI celebrities idk how I feel about cartoon peter lorre the animation in this movie is a brave effort but cel shading on 3d animation just does not hit the same is peter lorre/granny an example of the weirdest guy you've ever me…
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What an odd little movie.
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Pirates was something different.
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It is, of course, shot beautifully and it moves with incredible pace for such a long, miserable movie.
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One of my professors back in film school had this grotty turn of phrase—"the deflowering of the gaze,"[1] by which he meant to describe the feeling of how, once you learned to analyze movie (or even worse, to make them) you never really could watch a movie
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Sign that millennials are aging: R-Pat is now Hugh Grant I'm kind of fascinated by how extreme and intense of a reaction everyone in this movie has to [the fact that causes the titular drama].
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Actual question: Say you're building a piece of software; the exact details are unimportant here other than to say it's an application, that it runs on a server and talks to a database while providing a service over the network.
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Tempted to start a silly little project: a sort of anti-RSS reader.
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Rewatching this (in a theater this time) I'm just struck by how much of this movie is Kati Outinen's face.