Serge's Photo Safari - Serge van Neck Photography

Here’s a little piece of my mind, based on some recent inquiries from friends as well as various opinions found online.

In the first installment of this series, I described my workflow for selecting and categorizing images for commercial and/or editorial licensing.

Even when I’m not being hired to take photos, I often bring a camera to events that I’m attending, to take photos for my own reasons — including testing out a new technique or a piece of equipment.

I used to upload stock photography to Unsplash.

The hidden costs of using cheap knock-off brands The ink and toner racket “Dont be a sucker,” friends keep telling me.

I own nearly a dozen film cameras.

Except for a very few dedicated souls perpetuating the art, photographers have not used 8”×10” or 4”×5” large format cameras for at least half a century.

One of the ways a photographer can earn passive income from their work is to offer images for licensing.

The Godox Lux Jr.’s retro look is a great match for the compact, vintage-inspired Fuji X-T5 body.

When I saw this gentleman approaching, dressed as he was for a formal event and seemingly oblivious to the 27ºF weather, I had only a couple of seconds to line up the shot.

The TTArtisan meter mounted on a Pentax Spotmatic F SLR If you’re into film photography like me, you most likely have at least one vintage camera that either doesn’t have a built-in light meter, or it has one that doesn’t work properly.

Two decades after Canon released its last professional film camera, film photography is anything but dead; in fact, it’s experiencing a veritable renaissance.

©2015 Serge van Neck Few things are more ambiguous or hotly contested than the definition of street photography.

The 35mm focal length is supposed to be the sweet spot for street photography.