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I’m very proud of this project - which had some influence from yours truly, while new friend Attila of Pause & Effects did all the heavy lifting.
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This is quite the ramp-up - as the original 33 Boost was just a simple single knob boost - and now we have 3 knobs per channel, 7 knobs in total, 2 footswitches, and 2 side slider-switches as part of the Amp Channel Controls.
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So here we have the 5th of the larger Tubesteader Double Twin Triode Dual-Channel Preamps, following on from the Beekeeper, Sunkeeper, Magnezium, and Gainlord, and the 3 Compact Single Twin Triode Preamps - Eggnog, Lightkeeper, and Roy.
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I’m a huge fan of Germanium Diode Clipping - and indeed, already have such on my board courtesy of the ThorpyFX Heavy Water - it add harmonics and texture to everything and makes is sound richer and more luxurious.
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The original standard / stock Tone Oven had the Bass Cut and Comp controls as internal dip-switches.
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For me - Fender CEO Bud Cole and Ed Sheeran have been on a similar journey - both entirely on the wrong side of history - and still carrying on digging themselves a deeper hole!
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The original MXR flanger/doubler Rack Unit which emerged in 1976 - used a Reticon SAD1024 BBD chip for the Flanger effect, and a RD5101 chip (4096 Stages) for the Doubler.
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This has been a long time coming, and dates all the way back to the end of May, when I very first received my V7 unit.
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One of the best sounding and most flavourful Wah Pedals since 2008 - gets further improved, with some really neat touches.
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Boss delivers a really fantastic Multi-FX Pedal here - which has a super intuitive and visually appealing interface - and which is a joy to deploy.
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The Crosstown Fuzz is a Hybrid Fuzz Face - utilising one Germanium, and one Silicon Transistor.
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This is quite a notable period for me as I picked up 3 Germanium Devices within a month, while one of those probably won’t land until next month.
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Mad Professor has just announced preorders for its new Handwired Germanium Fuzz - while it doesn’t really provide too many details beyond the below statement, the nature of the control topology, and a picture of the insides from a jaunty angle!
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When the Big Time was first announced at the end of April, I wasn’t sure it was for me.
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One of EHX’s best loved pedals is back!
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I have a couple of CV7005 Transistor Fuzz Faces to my name already - including my first one from Expresso FX.
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A really cool amp-like Overdrive which ramps up 9V DC [-] input voltage to circa 280V internally.
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RockBoard may have fallen a little under the radar for some of late - where it’s actually a killer supplier of superbly practical and capable Pedalboards in 16 core variations.
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So here we have the further evolved Block 3 Edition of the ThorpyFX ER-2 Uni-Vibe.
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A killer magnificently saturating Extreme Gain Distoriton - which does the Grinding Metal thing exceptionally well - with almost limitless saturation and sustain.
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This article was composed and assembled in collaboration with good friend Vitalii Bobrov of Drunk Beaver Pedals - a fantastic engineer, with an encyclopaedic knowledge of effects pedal components - which you can see in all his smart circuit builds.
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This is officially the 10th in Walrus Audio’s Fundamental Series, while I’m not clear on whether all 10 are still fully available.
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So EarthQuaker has significantly evolved its mini Easy Listening ’65 Deluxe Voiced Headphone Amp.
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Former Power Supply Champion Cioks used to have the industry leading Max 660mA per Isolated Outlet, and Jackson Audio has found a way to deliver more than 3 times that amount of current to each Isolated Outlet.
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I’m a huge fan of SGFX Compact Fuzzes - where I already have 10 to my name.
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This will possibly appease those who aren’t overly fond of the curves on the latest Compact Soloist Overdrive.
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I apologise for being a little out of sorts and off-balance these last few days, I would hope it was understandable under the circumstances.
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A potent take on the dual-gain-stage Boss MT-2 Metal Zone architecture — this MD-1 Metal Mind pedal overhauls that vintage topology with modern low-noise op-amps, robust power supply filtering, true-bypass switching, and an active three-band EQ with fixed…
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I have to start things off by saying that I’m not currently in the market for one of these devices - as I typically favour a more mostly analog stomp box approach - featuring an assortment of pedals rather than a single substantial all-in-one-unit.
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This article was engendered by the recent arrival of my very own Keeley Electronics Tube Drive - which becomes my 13th Tube Preamp / Overdrive to date.
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The Kupiansk Sub Fuzz is an entirely custom design, a Vitalii original!
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It’s been a while since I did my Key Power Amp Tubes Overview - back in April of 2024.
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There’s a lot going on with this pedal - with multiple functions on each control - whether Knob, Toggle-switch or Footswitch.
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The original limited 100 Run Sylvania 12AT7WA Edition (as below) caught a lot of us by surprise - I dare say even some of the dealers and distributors.
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Boss and Strymon have for a long time included a JFET Input Stage to enhance the output of their digital pedals.
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All of us who attended Doug Tolley’s 4th Witney Pedal Party event last November witnessed the final prototype of the then code-named ’Mu-Filter’ - which has mow picked up the ’Moof’ moniker!