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Join me tomorrow for the Make Work That Matters workshop!
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The Pitt is a trashy-but-great medical drama that, surprisingly, has a lot to teach us about finding meaning in our work and lives.
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What do we make when we can make anything?
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Watch it now on YouTube.
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Like many of you, I'm a media creature.
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If you didn't make it yourself, can you really call it your own?
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Like most other creative people, I don’t feel fantastic about AI art.
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Dream Logic: Exploring the horizons of creative work This is something different from me.
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My official assessment of AI image generators has always been this: they’re impressive and fun, but not ready for real creative work.
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The Wind Rises (2013) The four seconds of film above is the result of fifteen months of painstaking animation by a single artist under Hayao Miyazaki’s watchful eye.
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Central image is totally different, but everything around that is taken from The Sting poster.
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2D Akira vs 3D Holly The uncanny valley is the sensation of unease we feel when a human character looks close to but not quite human.
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Stephen Root in Office Space My big struggle with using AI for creative work has been this: how do we harness the benefits of AI, while preserving our souls and not churning out slop?
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I’ve just published an exclusive new guide Creative AI in 2025: A No-Hype Assessment!
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#1: ChatGPT (and LLMs) Welcome to Part 3 of my rundown of the creative AI that are useful right now.
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#2: AI Voice Synthesis Welcome to Part 2 of my rundown of the creative AI that are useful right now.
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Echoes of Grace, a Sora promotional video by OpenAI Generative AI progress has definitely slowed down.
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All new technologies begin as toys.
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The Software Stack Powering My 2025 Workflow Obsidian is my workhorse 2024 was a year of software consolidation for me.
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New video for The New York Times!