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  1. i) Zurbarán: Divine Light, exhibition at the Art Institute in Chicago, February - June 2027 ii) New Study on AI's "Philosophical Skills" iii) OUP Survey on AI use (via Leiter Reports) iv) KI und Demokratie: Rechtsstaat, Teilhabe, Nachhaltigkeit, October 1…

  2. i) From some time ago (2011, I believe), but newly uploaded by Cornell: David E.

  3. Saturday Word: Enough

    Enough, adj.

  4. Jan Sanders van Hemessen, Husband and Wife Playing TrikTrak (1532), Oil on panel, 111.1 x 127.6 cm The primary purpose of a recent trip to Toronto was to see Jeff Wall's big retrospective at MOCA, but I also made a stop at the ROM, where this painting was…

  5. As I've mentioned before, I first met the late Karl Ameriks when he had just been working on the three Mann chapters for his book, Kantian Dignity and its Difficulties, and we bonded a little chatting about Doktor Faustus and Beethoven.

  6. As I'm traveling in Europe this week and next, I'll be taking a break from ongoing notes on Heidegger (most recently here and here).

  7. i) Barry Lam on administrative bloat in higher ed ii) Kenneth Warren to deliver Aims of Education address at U of C tomorrow iii) I hadn't seen this when it appeared in February, but see here for a nice tribute collection to Michael Fried in Brooklyn Rail,

  8. i) This is again an older article in LRB, Anne Wagner on Charles Ray at the Pinault Collection.

  9. Saturday Word: Never

    Never, adv. [1] At no time or moment; on no occasion; not ever. [2] As a simple emphatic negative relating to a single event: not at all, in no way.

  10. Boy with Frog (2009), Cast stainless steel with acrylic polyurethane, 96 1/16 × 29 1/2 × 41 5/16 in.

  11. I noted in a previous discussion of Brandom's article "Dasein, the Being that Thematizes" (DBT) that he offers one primary argument for his rejection of the layer-cake model of dasein's basic capacities, as well as a few ancillaries.

  12. In the introduction to his new commentary on Sein und Zeit (previously discussed here), Alexander Schnell writes: The central thesis is [...] that Heidegger’s magnum opus should be read as a transcendental-phenomenological essay in which the question of B…

  13. i) A rather old piece in Artforum, September 2007, 1000 Words: Charles Ray.

  14. As noted in today's assorted links, I recently acquired Band 99 of Heidegger's Gesamtausgabe, which contains a substantial record of his work on the so-called Vier Hefte ['Four Notebooks'] project between 1947 and 1950.

  15. i) "[U]niversities are no longer curriculum-centered.

  16. Measure, n.

  17. Morris Louis, Beta Zeta (1960/61), Acrylic on canvas, 255 x 439 cm From a recent trip to the Neue Nationalgalerie, where this Louis is on display in the basement of the gorgeous Mies building at the Kulturforum.

  18. Brandom's primary thesis in "Dasein, the Being that Thematizes" (DBT) can be put as a slogan: No Dasein Without Assertion (NDWA).

  19. Since 2027 is the centenary of the publication of Heidegger's Sein und Zeit [SZ] in Husserl's Jahrbuch für Philosophie und phänomenologische Forschung, and prompted by Dennis Schulting, I have lately been reading Alexander Schnell's new commentary, which…

  20. i) OpenAI: "Our internal model group arrived at the Navier–Stokes solution in 88 hours, using around 10,000 coordinating AI agents."

  21. i) Saxony-Anhalt votes in Ulrich Siegmund and the AfD (which falls short of absolute majority; see also) ii) Duke professor Dan Ariely’s research article retracted after fraud allegations iii) Syracuse's Chancellor says the Budget Deficit is 'Far from a C…

  22. Demesne, n.

  23. Blue Painting (2012), Acrylic and linen on stretcher, 37 x 31 inches I first learned of Marioni's paintings from Michael Fried's 2011 book Four Honest Outlaws, a kind of follow-up to his previous book on ambitious, 'tableau'-style contemporary art photogr…

  24. Having recently revisited some interesting articles on Heidegger by Robert Brandom, I want to take the opportunity to register some reactions in a series of brief posts.

  25. i) A Charles Ray show at the Fridericianum, on through January 2027.