things from the room in the back

This is the ninth in a series of blog posts about the Material Programming Project.

This is the seventh in a series of blog posts about the Material Programming Project.

This is the eighth in a series of blog posts about the Material Programming Project.

This is the sixth in a series of blog posts about the Material Programming Project.

This is the fifth in a series of blog posts about the Material Programming Project.

For the material programming project workshops, we have made an adapted version of CMU’s original Knitout visualiser, that allows you to write javascript code and export directly to files that run on the Kniterate machine.

This is the fourth in a series of blog posts about the Material Programming Project.

This is the third in a series of blog posts about the Material Programming Project.

This is the second in a series of blog posts about the Material Programming Project.

This is the first in a series of blog posts about the Material Programming Project, a collaboration between researchers at Chelsea College of Arts and the Creative Computing Institute.

This is a write-up of a small tool that scrapes a graph of related dishes, according to the see also section of Wikipedia.

This is a writeup of research into using satellite imagery to track mining operations, funded as part of Bellingcat’s 2024 Technical Writing Fellowship, and is a more in-depth version of a short guide published on their online platform.

This year, I’ve been involved in making two different synthesisers.

The Agrarianism and Revolution Reading Group met weekly for the duration of the Delfina Foundation’s 2022 Politics of Food Programme.

Last April, Gary and I gave a talk titled “Soft Bread, Hard Times” as part of Akademie Schloss Solitude’s festival Fragile Solidarity, Fragile Connections.

Since I started working at the Creative Computing Institute in January of this year, I’ve been on-and-off teaching myself how to use the Silver Reed SK840 digital knitting machine that we have there.It can be used either as a purely manual machine, or par…

A few weeks ago I got invited to give a talk as part of a panel on “The Interfaces of AI Art Practices”, one I was initially somewhat surprised to be asked to give, identifying neither as an artist, nor someone that works primarily with “AI” in the sense…

Last week we (Foreign Objects) presented the project An Introduction To The Bell Systemtaken from the title of an internal employee handbook that we came across in the Bell Labs archives as part of a talk hosted by Rhizome and the New Museum.

The First 10,000 Years is a collaboration with Gary, part of his larger body of work on the catastrophe insurance industry.

A few weeks ago, Foreign Objects released Bot or Not, a project that we’d worked on for the 2019-20 Mozilla Creative Media Awards.

This is a long-overdue writeup of a project that Gary and I worked on last summer, as part of a Schloss Solitude Web Residency Rigged Systems, curated by Jonas Lund.