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Vyzer 3:2 is a live electronic improvisation that explores spectral spaces within a loosely defined structural framework where the evolving sonic experience is created through the juxtaposition of noise and tone, rhythm and pulse (and pulselessness.)
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This is part II of a two-part post detailing one of my Summer projects: The YASH Redux.
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Dedication: This post is dedicated to the memory of Ray Wilson, author and DIY Synth genius who passed away 10 years ago on July 21st, 2016.
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Sometimes you are conservative, you stay the course, you do the cautious, reliable, boring thing.
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Brothers, Sisters, Cat People and Dog People, Non-human humans and others, I write here today in praise of tanh (pronounced “tanch” like “ranch” — IYKYK.)
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It's been a busy Summer for me.
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Below are links to papers given at ICMC and, in the case of the 2018 studio report, NYCEMF which was offered in conjunction with ICMC.
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I probably set up and configure (or reconfigure) at least ~5 computers a year for professional audio.
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I hereby confess that the “niceties” of a functional lab image have never been my priority.
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Like many of you, I keep an eye on r/linuxaudio for announcements, software updates, and generally to try to help people new to Linux audio when I can.