Amy Suo Wu

Dear Ursula is in the semi-permanent exhibition Kruispunt Rotterdam until 2027, where my work is dialogue with the museum’s collection of joss paper.

Anna Tsing’s concept of “capitalist ruins” in her book The Mushroom at the End of the World represents a form of dystopia where the destructive effects of capitalism linger even after industries collapse.

Steganography is the practice of embedding secret messages within openly accessible information systems.

This website is at once a space of research, reflection, and documentation as affective labour, as well as a webshop where my mother’s upcycled handicrafts are sold as financial labour.

What: Mixed media installation made in collaboration with Elaine W.

Steganography is the practice of embedding secret messages within openly accessible information systems.

Looking in the Goblin Mirror is part of a chapbook on Mirrors published by Liminal, a platform with a focus on the Asian Australian experince.

What: An embodied publication – garment in two modalities, each consisting of four elements: garment, scarf, hat with veil and tags.

Dear Ursula is the first chapter of Serenity Department, an intergenerational mending collaboration two years in the making between my mother Maria Ling Qing Huang, and myself.

On Oct 31st – All Hallows’ Eve, an auspicious date in the Western calendar to celebrate the dead, I fulfilled the destiny of Dear Ursula.