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So I’m doing a solo (drums+electronics) tour across the UK hitting up a bunch of classy cities (details below).
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Finished a new piece a couple of days ago.
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The Chocolate Grinder is a software emulation of a skipping/glitchy CD player.
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New project.
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So a few months ago I experienced a big paradigm shift.
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Finally finished a new string quartet.
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As you may or may not know, I’m a bit of a hardware nut.
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So I’ve been working with what I call the Sidrassi-Tom for just over two years now.
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I wrote a paper on my evolving drum+electronics setup entitled “Towards the Beat of a Different Drummer : A Journey into the Loss of Fidelity in Drums and Electronics”.
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So I started my MA in Electro-Acoustic Composition last September and the University of Manchester and have just handed in my course work for this term.
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I recently spent a week and a half at STEIM and it was amazing.
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I’m very excited to release “16 Figures”, a improv trio CD I recorded last year with Ray Evanoff and Iain Harrison.
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After meeting and playing with Hervé Perez back when The Noise Upstairs’ Sheffield night started in early 2010 we got to talking about doing a recording together.
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I enjoy doing remixes.
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I hate social networking sites.
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So many many exciting things in the works.
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After joining The Noise Upstairs last year, Anton and I put a lot of things in motion to help The Noise Upstairs grow and improve.
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After speaking at the Max/MSP Symposium at last years GEMDays Festival, PA Tremblay mentioned that he’s going to try to get me to perform at this years festival.
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So like, one of my bands, Deaf To Van Gogh’s Ear is opening up for Xiu Xiu next month (February 23rd).
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Finally finished building this little box.
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I am very excited to finally present “I AM YOUR DENSITY”.
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Had the opportunity to open up for Ingrid Laubrock as part of The Noise Upstairs Presents.
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Just finished a tour with Takahashi’s Shellfish Concern.
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I am very excited to present “Drum & Bass : And The Horse You Rode In On”.
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I ran my first Circuit-Bending Workshop, as part of The Noise Upstairs’ new quarterly workshops.
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Anton invited me to co-run The Noise Upstairs with him.
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Finally finished another new instrument.
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The recording session I did with PA Tremblay back in February is finally coming into shape.
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I submitted “I AM YOUR DENSITY” to an open call for works for the Red Note ensemble, and it was one of the chosen pieces.
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After several months of work, my band, Deaf To Van Gogh’s Ear, finally finished our EP entitled “We Call Them Accidents Because We Don’t Want Them To Happen”.
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After over a month of planning, and building I finished this new instrument.
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After sharing a stage with PA in December, and being invited to speak at the GEM Days festival in Huddersfield, we booked some studio time at Huddersfield University.
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What do they all have in common?
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I was invited to speak at the Max/MSP symposium by PA Tremblay after sharing a stage with him in December.
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Busy with Deaf to Van Gogh’s Ear, recording an EP, and doing quite a bit of gigging.
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This completes the ‘acoustic’ half of ‘Two Point Owe’.
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My poor, poor neighbors.
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More ‘Two Point Owe’ recording with “The Ocean’s Like Right There”.
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Just got back from performing in Aberdeen as part of the SOUND festival.
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With Serg moving back soon, and a recent performance firing us up, we decided to do a studio session.
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Just performed I AM YOUR DENSITY at The Noise Upstairs.
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So what is it?
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This is the first recording session for my next CD entitled ‘Two Point Owe’.
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I decided to give up on trying to buy an original WH-1 Whammy Pedal and instead buy a current WH-4 Whammy Pedal.
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I got a last minute message from Blank Media about doing a solo gig for them.