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The Byronic hero is arguably the most enduring literary archetype of the Romantic period, originating from Lord Byron’s Childe Harold’s Pilgrimage and then developed across his subsequent works.
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Once Upon a Time… … I started PopLit… When I signed up for the MA in Modernities, I had a specific idea of what the programme and its assessments would look like.
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Beware!
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In this post, I would like to reflect on Textualities 2026, the mini-conference I had the pleasure of organising alongside my cohorts from the MA in Modernities and the MA in Medieval and Renaissance Literature at University College Cork.
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Although a bit late to the party, I am finally responding to this seminar.
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[This article is part of The Reject Project, and as such, it has been co-reviewed by the other co-authors and co-editors of The Reject Project.]
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Over Christmas, while in Switzerland to visit my family, I found myself in a car with my sister (driving) and her boyfriend, who asked me if I knew a new viral Italian singer called TonyPitony.
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This post includes spoilers for Wicked and Wicked For Good.
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Last Wednesday, two events which seemed completely unrelated occurred in my life: my sister failed her first driving test, and in the afternoon, I attended a talk from Dr Alan Gibbs on the presence of naturalism in the novels of Paul Auster.
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This is a work of fiction.