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Melody Maker, 1982
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So recently there was the passing of arts + culture magazines The Face and 4Columns (both of which I had written for) And then came the announcement of the acquisition / gutting of a bunch of music magazines by some horrible company – among them Alternati…
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A great critic, but one whose work I have not read much of And when I have read it, more often than not I disagree.
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Here's what Brian says about Bryan Ferry's "You Go To My Head" And here's another occasion on which he reviews the singles, for Sounds
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Yes, it's Mr.
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From 1987....
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Now here's a thing that puzzled me for a while...
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My time at Melody Maker overlapped with the final year or so of Brian Case being on the staff.
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I've posted here before about Mick Farren's famous "The Titanic Sails At Dawn" polemic.
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Not interested here in rock writers in their current haggard state, of which there are innumerable examples on YouTube.... but rather, rock writers in their original pristine prime.
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I am obsessed with the advertisements in the old music papers - the New Wave era is particularly rich for the semiotician and lover of graphic design trends, but then so is the Old Wave era.
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RIP Mr Kershaw...
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Sadly I don't have the whole Mackenzie singles page, nor do I recall where it came from (the year must be around 1987).
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Via the YouTube channel Yesterday's Papers, a motherlode of musicians guest reviewing the Singles for Melody Maker and New Musical Express and Sounds - all from the 1960s or the early 1970s Slightly reduced in impact by the host of the channel reading them
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Picking up on the "mean review" thing, as with the Tin Machine II beat-down... it struck me that music journalism is much closer to real-life fan (or anti-fan) chat than it is to literary criticism or other forms of arts reviewing.
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Apparently there is a new documentary on David Bowie - I think it's about the later years of his life, making a case for his continued creativity - and at one point, they present the journalist who wrote the brutal take-down above with his own words.
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At the event in North London for Rip It Up and Start Again in 2005, I remember a voice in the audience piping up - apropos of absolutely nothing that the panel were discussing - to cry out: "ABBA were better than the Velvet Underground!"
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Saddened to hear of the death of Jack Barron - who wrote for Sounds and then NME among other places - after a long illness.