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Music can be art Playing an instrument can be art Being a band can be art Writing songs can be art Recording songs can be art Mixing songs can be art Performing can be art Making a podcast can be art Designing a studio can be art Making love can be art If…
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Beatles Anthology 4 will be released on November 21.
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Tchad Blake is known for his wide and deep mixes.
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Only we know exactly what took place.
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I did the final editing, sound design and mixing for the podcast series Het verraad van de Jordaan.
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How to set the input level on your interface for guitar? (Cordy, Massaad and Shull got it all wrong)
A couple of months ago John Nathan Cordy published a video in which he explained that we set our input level for guitar on our interfaces in the wrong way.
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The new stable release (at the moment of writing: v2.14.0.3) of the SWS extension offers a great way to normalize audio items in Reaper.
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Reaper supports both Host and CC/MIDI automation for sending information from Reaper to control parameters in a plugin, for example.
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Commissioned by the Dutch government (Rijksoverheid), I developed the music identity of the podcast Digitale Zaken op tafel for the Adviescollege ICT-toetsing (formerly BIT).
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I am a long-time Reason user.
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For sound design in Reaper, I often glue audio items together.
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For NRC Vandaag’s episode Hoe de Groningse gasmissie van Wiebes mislukte, I won the PrinsjesPodcastprijs 2023 for my montage which I did with Anna Korterink (editor).
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These monitors may look good, but they’re actually meant to sound bad!
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For De Zwembadclub, the new podcast by Annegriet Wietsma, I provided the sound design and did the audio post-production.
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Here’s a handy tip I’d like to share with you.