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I watched this at home on the 9th of September 2026.
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I picked up the Persephone edition of this from Hatchards in London on the morning of the 5th of September, 2026, and had finished it by that afternoon
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On just how many roles there are in our world, the crazy diversity of desires and preferences, and everyone fitting in somewhere
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I watched this on the 30th of August, 2026, at the Prince Charles Cinema in London.
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On the sheer riches in our everyday life, with quotations from the past dreaming of such things
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I read this over a few weeks in August, 2026.
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I watched this at the Curzon on the 26th of August, 2026.
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On the nature of metastable false vacuums, their cosmological relevance, and how it might be artificially destroyed
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On the moral bankruptness of exclusive consideration of incentive structures, and the absolute necessity of courage; and the illusion of explanatory depth with regards to most peoples' internal moral structures
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On the defining aesthetics of the 2020s, their 70s and 30s influences, with a rigorous evidence base drawing from virtual spaces, celebrity, music videos, and with an analysis of sociocultural drivers and shifts
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On the unexplored life living deep in the crust, miles and miles below us in the dark, how it lives, what it thrives on, and how it got there
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I watched this on the 22nd of August, 2026, on Disney+.
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I watched this on the 22nd of August, 2026, at the Curzon.
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On infinite freedom being the progenitor of willing limitation; the ultimate realisation of love being giving its infinitude to one person; and optionality being only meaningful when it is wilfully circumscribed
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On the nature of good art as responsive to your efforts, of full of choices, and requiring sacrifice; and then on the fading of criticism and the rise of poptimism; and on longevity as the key marker of greatness
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On foreigners' perceptions of gender relations in 17C-19C Europe as vastly more egalitarian and free
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On the similarities between religion and conspiracy theories, and simplicity vs complexity
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On talking to kids, and talking to people, and the goodness of work and conversation
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On a comparative analysis of the social and cultural roles for women in England and colonial India, focusing on greater education, independence, and gender intermingling
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On the deep connection between tragedy and comedy in pop culture, from Futurama to Mitski