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One thing I have learned in this business is to never ignore even the most junky of junk shops.
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“I said Charles Horner style”, he reiterated to me after I picked up what seemed like a complete bargain at a local antiques fair.
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I’m not the only one who’s a fan of studio pottery – the market has mushroomed over the past decade, and values with it.
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Every good, middle or upper class Victorian gentleman worth his salt would have owned one.
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I’m very fond of antique and vintage fountain pens.
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In many ways, Barry Cullen was an archetypal ‘true’ studio glassmaker, particularly if you compare him to a studio potter.
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By the time you get some experience out there in the wild under your belt, if you see something that you haven’t seen it before, it’s worth considering.
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There are some things in my collection that I don’t really know about.
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The world hasn’t really been very kind to paperweights lately.
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What goes on in my head when deciding to buy or not to buy… There’s so much scope with small sculptures.