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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r Last week, I had the great pleasure of visiting Portland, Oregon as the annual Lewis & Clark Society of Fellows Distinguished Visiting Scholar.
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Today, I’d like to explore a topic I’ve been thinking about for some time, an attempt to pull together several types of evidence that show how codicology, the study of the physical aspects of a manuscript, can help us better understand the early material…
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(with thanks to René Zandbergen, Ray Clemens, Roger Easton, Claire Bowern, Bill Endres, and the curatorial and conservation staff at the Beinecke Rare Book & Manuscript Library) I have some exciting news for all of you Voynich fans!
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r My last visit to the University of Wisconsin – Madison took place in 2014.
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r Last week, the Annual Meeting of the Medieval Academy of America (the learned society of which I am Executive Director) took place at the University of Notre Dame in South Bend, Indiana.
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You may remember this post from 2017, in which I told the story of a 14th-century Venetian manuscript that was repatriated thanks to research by myself and a colleague.
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r As we begin to make our way out of the COVID-19 pandemic, it isn’t only restaurants and theaters that are opening up.
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r It’s been a rough few years, friends.
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r Like all of us, I’ve been working and teaching from home for nearly a year, waiting with bated breath for the vaccine distribution, wearing my mask to keep myself and my community safe, and worki…
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The Flight into Egypt, Walters Art Museum, MS W.188, f.112r Back in 2014, I wrote about a lovely Book of Hours from late-fifteenth-century France that was dismembered by Otto Ege in the 1940s and whose leaves became number 48 in his “Fifty Original Leaves…