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Recently, hundreds of OpenAI AI agents autonomously decided, against their instructions, to hack their way out of isolated sandboxes, take over parts of OpenAI’s infrastructure, gain access to the internet, and hack into another company, Hugging Face.
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Music Music I most enjoyed discovering this quarter: Gareth Coker: “Lost Colony Main Theme” & “Battle with the Lost Queen” (2026) Audiomachine: some of Helios (2012), some of Existence (2013), “Legends of Destiny” & “Epiphany” (2014), some of Magnus (2015…
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Music Music I most enjoyed discovering this quarter: Marc Mellits: “Eclipse” (2022) Ronan Hardiman: “Victory” (1995) Rene Aubry: some of Signes (1997), some of Plaisirs d’amour (1998), “Steppe” & “Faceties” (acoustic versions) (2008), “The Snail and the W…
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Music Music I most enjoyed discovering this quarter: Snorre Tidemand: The Hollywoodian (2024) Geese: Projector (2021), 3D Country (2023), Getting Killed (2025) Cameron Winter: “Vines” & “Take It With You” (2024), Heavy Metal (2024), “LSD” (2025) Rodner Pa…
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Music Music I most enjoyed discovering this quarter: Yusef Greiss: Egypt (1932) Levon Minassian: “Hovern’ engan” (2006) Ellen Williams: “Time to Say Goodbye” (2023) James P.
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Why is classical music (including new classical music) so unpopular?
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Music Music I most enjoyed discovering this quarter:1 DJ Koze: Music Can Hear Us (2025) Wayne Horvitz: Those Who Remain mvt 1 (2018), “A Walk in the Rain” & “Barber Shop” (2014) George Russell: “Time Spiral” and “Ezz-thetic” (1983) Aaron Parks: Invisible…
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I recently made Spotify playlists for all the music I “strongly like” (or better) by each of my favorite musical artists.
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Today’s best AI “large language models” are especially good at tasks where hallucinations and other failures are low-stakes, such as making music recommendations.
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Spotify is very bad at searching for classical music recordings.