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When you’re making a book, not everything you’d like to include makes the final cut.
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When a Mastodon conversation with Ronan McDonnell meandered into the territory of ghost signs, I was reminded that I had an incomplete post sitting in my drafts about a faded, painted advertisement that I had photographed in Pune back in May.
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Lately I’ve been feeling that all I have done this year is talk about this project and the upcoming book non-stop, but few conversations have been as fun to have as the one with Bharti Dharapuram, who is an Associate at the Centre for Science Communication
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During the Kickstarter campaign for my upcoming book, India Street Lettering: A Journey through Typographic Craft & Culture, Sam Roberts of Better Letters Magazine, i.e.
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In May 2024, I facilitated a three-day typography workshop at the National Institute of Fashion Technology, Bangalore that centred on documenting street lettering.
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2023 was an exciting year for India Street Lettering: I received a small grant from the Bangalore International Centre (BIC) as part of their B•LORE programme to make a short film about street lettering in Bangalore’s M.G.
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In the summer of 2023, I took the plunge to turn my typographic discoveries and theses from India Street Lettering into honest-to-God printed matter: pint-sized, self-published zines that each centre on a tiny sliver of public lettering in India, catalysed