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Forget the lyrics, which are crisp, or the restrain of the vocals, which are considerable; concentrate instead on the instrumental bed of Peter Gabriel and Kate Bush’s “Don’t Give Up.”
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I’m playing catch-up here: an album released last month, two I missed last spring.
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Strident, misogynist from its slamming beats to its unconsciously cat-calling lyric, “Fake” is one of Jimmy Jam and Terry Lewis’ most overwhelming productions, sung with a gusto by Alexander O’Neal that comes from a different place than Luther Vandross and
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(Photo by Elaine Mayes/Getty Images) After bingeing on three episodes at a time I couldn’t render a judgment more thorough on Twin Peaks: The Return besides thinking it’s too long and not long enough.
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Introduced to the best-selling UK sibling duo after Neil Tennant and Chris Lowe’s fascinated, mildly generous remarks in Pet Shop Boys: Literally, Bros may have performed decent songs but I can’t get past Matt and Luke Goss’ terrible vocals: the stuff car…
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Several reviews have remarked on how Tony might’ve been about any luckless self-absorbed college student‘s adventures in mid-1970s Provincetown; but when a disaster occurs and when his object of desire gives him a second or even third chance, we know he’s…
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Translated as “Fight for me,” the King Sunny Ade track on this list isn’t literally about freedom; but in its confident sparkle and easy lope bespeaks liberty or the dream of liberty.
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For many Americans, Labor Day is for movies, barbeques, reading, and catching up on grading — if you’re not in the service sector.
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On the eve of Labor Day, the Trump administration wants women to abjure employment for child rearing.
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Except for obvious exceptions, glam never caught on in America.