hip hop isn't dead.

Yep, another Wu-Mas has successfully come and gone.

Supreme Clientele 2 is the long-awaited sequel to Ghostface Killah's widely-praised second solo album, Supreme Clientele.

Back in the late 1990's, RZA was working every angle he possibly could to reach his goal of complete world domination.

It may seem like there are a lot of Bronze Nazareth write-ups these days on the site, and you aren't wrong.

The story goes like this: actor Tom Hardy has always been a fan of hip hop, underground hip hop in particular, and was particularly fond of this crew who named themselves Czarface, a comic book alien ambiguously-motivated hero-type, created as a love lett…

Black Samson, the Bastard Swordsman is another one of those Wu-Tang Clan albums that isn't officially credited to the Clan proper for a variety of reasons, many of them having to do with its production process.

Today's Wu-Mas gift is something that I've been working toward for just over a year now, and... well, would you look at that, today just so happens to be Wednesday.

Ekphrasis is defined as the use of detailed description of a work of visual art as a literary device.

Today's contribution to the 2025 edition of The Twelve Days of Wu-Mas is an exclusive-to-the-free-site brief write-up for a Wu-Tang side project that, somehow, it just occurred to me to write about this month.

In 2021, rapper Killah Priest and mostly producer, sometime rapper True Master joined forces for Divine Intervention, a full-length collaborative project that you'd think they would have done at least twenty years prior, given how long both artists have b…

Grand Rapids, Michigan rapper-slash-entrepreneur Willie "Willie the Kid" Jackson may not be an actual Wu-Tang Clan affiliate, but that certainly hasn't stopped him from periodically popping up here and there with the lore of the group.

Cut Throat City is a heist film released in 2020 that takes place in a post-Katrina New Orleans.

Hello, and welcome to the annual Twelve Days of Wu-Mas program, in which we spend almost the entire next two weeks celebrating the Wu-Tang Clan in various different ways, a lot of which involve writing or different podcast-slash-mix shows exposing the two…

You likely have more pressing holiday concerns eating away at you today, or if you don’t happen to celebrate, you might just be busy with work or something, so I’ll keep this brief.

The holiday season is upon us once again – it seems that living in hell on earth doesn’t stop the planet from rotating on its axis, who knew?

With the light at the end of the proverbial tunnel beginning to blink, which I think means it’s running out of battery life, we continue to chug along with the Wu-Wednesdays series.

We’ve reached a milestone over here on the Wu-Wednesdays side project.

This week’s entry into the Wu-Wednesdays catalog has no real theme, apart from the interludes, which always seem to be related in some fashion unless they very clearly aren’t.

Heads that dare to press ‘play’ on this week’s installment of the ongoing Wu-Wednesdays side project will be greeted with some shining examples of rare and off-the-radar Wu-Tang wonderment, some of which you two may not be all that familiar with.

Episode forty-four of the ongoing RandoMax Radio Wu-Wednesdays miniseries eschews all of the myriad affiliates and friends of friends in favor of getting back to basics.

Episode forty-two of this limited Wu-Wednesdays series shifts the focus, once again, to the Wu-Tang Clan’s B-team.