Guillaume Slizewicz Studio

Medusa is a kinetic sculpture of seven LED propeller-fans (gadgets normally used to spin advertising slogans into the air) rewired to display flora and arrayed around a single Arduino, giving the piece the silhouette of a drone whose own thrust is too fee…

At Curated 2025, curated by Lionel Jadot at Mix Brussels, a fourth mosaic panel was presented in collaboration with artisan Françoise Lombaers.

For Shifting Ground, co-curated by studio minimètre and Béatrice Vancaillie, three pieces respond to the exhibition’s theme through different registers of displacement.

Digital solitude Digital Solitude is a site that runs for one person at a time.

After twenty years restoring heritage mosaics, Françoise Lombaers joins Guillaume Slizewicz to explore unmapped territory.

Carbon Technostructure traces the material weight of immaterial systems.

A two-room exhibition revisiting the architectural and artistic heritage of the Darvas House in Oradea The winter garden owns an installation called “All I can see are ghosts”, paying tribute to the displaced civilians of Oradea’s recent history and more…

“Fragmented Memories” is a meditation on the archaeology of knowledge, where scientific diagrams are transformed into their own archaeological artifacts.

Décors is a process-driven work that explores the potential of machines to generate patterns on ceramic tiles.

In may 2024, Gijs de Heij and I had the opportunity to spend several weeks in Namur working on the project, Carbon Technostructures.

The Sprayramics project is a collaborative project between Guillaume Slizewicz, Mekanika, and Studio BISKT, which reimagines ceramic glazing through the development of an open sources 3-axis CNC glazing system.

‘Wolpertinger’ presents a thoughtful exploration of the cyclical and interconnected realities of contemporary forest management practices, situated against the escalating impacts of climate change.

The carbon aware project is a project about assessing the carbon impact of digital technologies.

The Close Combat Data Storage is a multifunctional device tailored for agility and precision in the creative arena.

Created from spalted beech wood, sourced from the Brussels region, this piece draws its design inspiration from the ESP-32, an iconic electronic component, modeled, scaled up fifteen times and cut with a precise CNC Machine to achieve its distinctive shap…

The Green Type project, spanning from September to December 2023, was an explorative project into the possibilities of sustainable exhibition design.

In November 2023, Sandy Claes and I had the pleasure of organising ‘Promptism’ at BAC ART LAB in Leuven.

Writing with Otlet, Mixed Media, 2019 Writing with Otlet is a character generator that uses the spoken portrait code as its database.

Silicon memories from a local photo album *I can remember* is a project that probes the creative potential of image analysis algorithms and the empathy we can feel towards machines.

Glossolalia and Barbarism: the algoliterator by Algolit The algoliterator is a silicone being that has been tamed by algolit, it feeds exclusively on text.

Pink is the result of the Workshop led by MischerTraxler Studio at Boisbuchet in 2019.

This debut collection showcases three designs: star, coral, and spiral, available in black, white, and transparent.

Canari is a lamp that transform local air quality data into light patterns.

“The Stack” is a project that delves into the intricate layers of understanding and creation in the realm of digital arts.

In the context of MODERN CRAFT #2 — The Power of Ceramics at MAD Brussels I had the chance to exhibit the first part of my project tablets, inspired on the relationship between clay and information through proto-writing, neural representation, scientific…

“Ici Bientôt le 7ème ciel" is a first collaboration between Basile Boon and Guillaume Slizewicz where two practices meet: sculpture and digital art.

What would happen if all the cookies and algorithms that follow us on the internet were also present in physical space?

Is it possible for algorithms to read a poetic story in an archive of news articles on digital surveillance, updated daily by the same person for fifteen years?

Trees of Discomfort is an artistic interpretation of the random forest algorithm, a machine learning algorithm in which several decision trees are trained on a dataset and form a forest.

Together With Tropozone, we created an installation questionning the notion of voice assistants.

I am happy to be part of the cohort of 10 designers selected by the MAD for their incubator in 2022-2024.

The Ceramic C-19 Knife/Chopstick Rest is a unique piece of dining decor inspired by the global pandemic.

In January 2026, a social network called Moltbook launched exclusively for AI agents.