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An example of what I call "the rhetorics of temporality" - the way critics compulsively position and reposition things they like, or are unimpressed by, using temporal coordinates, a reshuffling of past / present / future, with each term given a different…
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Thanks to Gemma Ross for including Futuromania in the Mixmag list of summer reading for dance music fiends - the full list is here
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INCUNABLES [Old Music 1980 - 1993] (Open 23h) Una noche dedicada a recordar locales como Attica, Saratoga, Xcandalo, Cobre, Voltereta (Cubos), Laberinto, Planta Baja, Nacional III, New World, Casi Casi, etc EBM / Synthpop / New Beat / Gothrock / Sonido de…
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via
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Released 1978, recorded at the start of the 1970s.
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So I was feeling like it was time to read a Margaret Atwood and I fancied Oryx and Crake, having been intrigued by a chapter on it in Mark Fisher’s The Weird and The Eerie.
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A magazine asked me for the 3 most futuristic moments in music, from the period circa 1987 to around 2020.
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In November last year, Kieran and I joined Argentine critics Pablo Schanton and Antonia Kon to discuss music writing and music's future as part of the 20th Anniversary celebrations for the Buenos Aires publisher Caja Negra.
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The paperback edition of Futuromania has just come out Older eyes will recognise the graphic design's nod to this best-seller of the 1970s An earlier post about Future Shock and the Orson Welles presented TV program based on it.
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Early 1980s youth subculture - imagined from 1971 from Disc and Music Echo, March 1971 - it's a sweep of youth cults / looks from the beginning ie. rock'n'roll to the present - and beyond!
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A rock book I have never ever heard of before, by a writer I never heard of before - until this moment.
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Specifically the future of cinema - specifically specifically 3D movies, as reported in this Atlantic piece .
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Like a spaceship made of oak...
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A Futurist, but not a Brutalist - too ludic, too goofy I guess Gehry (RIP) was considered a postmodernist, but I don't see what he is quoting, citing, reviving here... these are shapes and surfaces without precedent, surely.
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1972 program based on Alvin Toffler's best-seller, with a wonderfully grave narration from Orson Welles and occasional shots of the great man wandering pensively through the city.
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the shock of the new and the shock of the impossible are mysterious phenomena - because, you would think, simply by your experiencing it, the Newness would almost instantly evaporate - it would by definition be no longer new, it would seem increasingly fa…
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Not actually "music" though - more like sermons and speeches via Mercier Catholic Record Club Irish Christian club LP series in 1960/70s Parent Label: The Mercier Press I wonder if they really thought that, in the face of declining attendance and interest…
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"Futures not achieved are only branches of the past: dead branches" - Italo Calvino "He, still unvanquished, eternally directed toward the future, whose own restless energies never leave him in peace, so that his future digs like a spur into the flesh of…
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Forgot how prominently the Moog is used on this exciting Supremes track - this must have blown a few minds back in the day!