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I consider myself something of a Milo Yiannopoulos scholar.
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Tim gets serviced at the Paradise Garage (screenshot by me) “Do you boogie a lot?
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Jack White, Coupe Car at 99°, 1997, Oil paints, epoxy resin, plastic toy car, wooden axe, plywood frame (all photos by me) The McDonald’s-colored, yellow-roofed/red-bodied plastic Fisher-Price “Little Tikes” Cozy Coupe was one of the most ubiquitous toys…
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Installation view of Dot Alma’s Our Father (Figure) Who Art in Heaven (The Nightclub), 2026, mixed media (all photos by author) The most remarkable, equally elegiac and absurd, profound and berserk inclusion in Somerset House’s Holy Pop!
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“Clothing does not simply cover.”
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Why is there not an avalanche of AI slop tributes to Lady G like there was for Charlie Kirk?
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Taeer M, Third date, 2026, Acrylic, pencil, watercolor on paper, 6⅛ x 9 in./15.57 x 22.86 cm (all images courtesy of the artist and Company Gallery, New York) “He likes hot chicks!
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Happy Birthday, America!
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Screenshot from Ellie Thatcher’s “The Quiet Wing” (screencaps by author) For me, 2026 is best represented by Genesis’ “Land of Confusion” music video, specifically Reagan’s nightmare sequence: haunting puppet mountains, representative of the people who run
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It Wasn’t God Who Made the Scat Souvenirs in Derek McCormack’s “The Shithole Opry Collector’s Guide”
(Photo: Phillip Maisel) When I traveled to Nashville in 2023, I spent most of my time running in and out of country music-themed gift shops—or really, one gift shop in particular.