Krell’s Last Dreaming

I met Peter online in 2005, through Robert Anton Wilson’s Maybe Logic Academy.

A paper I wrote about robotic divination and generative art was recently published in Revenant.

I will be part of a panel discussion titled “Folk Around & Find Out IV: Folklore of the Future,” on Sunday (3/24), the final event of this year’s Salem Witchcraft & Folklore Festival.

I recently updated some old Processing code for generating Latööcarfian dream images à la Clifford Pickover’s Chaos in Wonderland, like the ones I made for Vehicles of Ætherial Fire.

It is meaningless to talk about the force of gravity unless there are at least two material bodies, or their equivalents, between which the force is considered as acting.

Tell me many tales, O benign maleficent daemon, but tell me none that I have ever heard or have even dreamt of otherwise than obscurely or infrequently.

Concept art for a fictitious witchhouse album inspired by Lovecraft’s “The Dreams in the Witch House.”

Coming soon from Eldritech: HAUNTOLOGIC, a series of media artifacts dated circa 1981, conjuring ghosts of eldritch technology that never was, yet is, and retrofuture-enchanting what may become.

I will be presenting as part of the necromancy panel at next month’s Dark Economies conference at Falmouth University.

Thaumatubes (< thaumata “wonders, miracles” > thaumaturgy) are a means to incorporate non-conductive materials into technomantic and robomantic circuits.