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The cover says “Two heroes.
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Sarah and I have been watching a genuinely unreasonable amount of Magnum PI.
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As I’ve mentioned before, we now live in a world where creative people have to prove they created the thing they created.
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It has been a dooooooozy of a month.
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I want to be really clear about something because the internet has trained all of us to flinch: the catalog entries for The Cryptid Cataloger are free.
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Sutton Attwater has a folklore PhD, a 1972 Volkswagen bus, and absolutely no chill about the possibility that the woods are full of things we haven’t named yet.
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So here’s a confession that’s been sitting in my chest like a swallowed marble: I haven’t built a puppet in an embarrassingly long time.
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There’s a story I wrote years ago.
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So I gave my AI a day off.
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The review was supposed to go up on the 26th.
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People who play music well tend to play one thing well.
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Quick status check from the part of the saga nobody warns you about: the long, boring, grinding middle.
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I want to tell you about the hum.
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Okay, housekeeping, because telling people about my own stuff is the single thing I am worst at as a person who makes stuff.
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Here is a thing about me that I have made peace with: when you give me enough pain medication, I sing show tunes.
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There is this amazing thing that exists in the indie dyer world: Advent Kits.
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I need to talk about a pretzel.
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Okay.
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It’s live.
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I want to start with the part that’s embarrassing, because if I start with the argument you won’t believe the argument.
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When I first started writing fiction — roughly a hundred years ago — the plan was simple: publish on Amazon.
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Here is how a typical evening used to go.
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Twelve years ago I started a serial.
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I have read a lot about writing, and I have read a lot about ADHD.
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I learned to read on stolen property.