David Jonathan Ross

Every font has an origin story, and Slight Chance is no exception.

I just got back yesterday from a week at the beach, and my brain is still in vacation mode.

Two lovely (mostly) all-caps uses of my fonts were published on @FontsInUse this week: Geografie dello sguardo Slight Chance in use by Lea Aiello Non ha l’Età exhibition Roslindale in use by Leftloft Design

I’ve always been unsure of what to do about my typeface Fern.

Here is an incredible use of Slight Chance for the recent PDD tour of the Indonesian alt-rock band Perunggu, designed by Under The Table.

Last month I sent you Megawarp, a sci-fi sans serif centered around the idea of fragmentation.

See some BIG Job Clarendon on Book of Paul, a 2026 album by Texan country artist Paul Cauthen.

Part two of my two-part foundry launch happened 10 years ago today, when I launched Bungee from the bus as I was on my way to NYC for Typographics.

So, today marks 10 years since I launched my type foundry, which coincided with the release of my font Gimlet.

Hot on the heels of the release of Fit Arabic, I am incredibly happy to announce Fit Kannada, designed by Taresh Vohra and released today by Mota Italic.

I haven’t been on top of my game this month.