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The cover art for Suffering Quota’s latest grindstrosity feels like a pretty apt metaphor for life in 2026: an exhausted, worn-to-the-bone human husk pushing a load of shit uphill while surrounded by fucking serpents.
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Nice lil five-tracker that managed to catch me somewhat by surprise.
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While cross pollination between hardcore and black metal is now thoroughly commonplace, back in the late 90s it was a different story.
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If I’m being brutally honest, a lot of modern-day oi!
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London punx [FILLER] knows exactly what they want to do, and this is to beat you viciously about the head.
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Wasn’t sure how Cryptic Shift were going to follow up their magnificent ‘Visitations From Enceladus’ LP, but they’ve somehow gone and topped it.
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Oh yeah, I like this.
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Ever jammed a fork in an electrical socket?
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In this new, topsy-turvy world of punk we’re now inhabiting I have no idea how Combatwoundedveteran fit into the reimagined hierarchy of things, but at the time ‘I Know A Girl Who Develops Crime Photos’ felt like a sort of highwater mark for crazed, splen…
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True to form for longstanding Italian weirdos Zu, ‘Ferrum Siderum’ is wild and thoroughly immersive.
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Last time I reviewed Coscradh I griped about things seeming sort of formless.
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Always viewed ownership of and admiration for Burned Up Bled Dry’s ‘Cloned Slaves For Slaves’ as a mark of taste and discernment: it was (and remains) a cheap score in terms of the wider Slap A Ham canon, but dripped with such a savage sense of vengefulne…